audio
Mukhtara Yusuf is a Yoruba Muslim visual artist, designer, storyteller and cultural activist from Nigeria. Sometime last year she hit me up about collaborating on an audio meditation.
This is a draft.
I madeth a mix. Love. Celebration. The Bounce of Spring.
Come To My Garden - Minnie Riperton
Equipoise - Max Roach
Springtime Again - Sun Ra
Come Back As A Flower - Syreeta & Stevie Wonder
It Never Entered My Mind - Miles Davis
Celestial Blues - Dwight Trible
I Want You - Erykah Badu
Bird of Beauty - Stevie Wonder
Sunshower - Dr Buzzard's Original Sunshine Band
Love Having You Around - Stevie Wonder
Don't Stop The Music - Yardbrough and Peoples
Love Come Down - Evelyn Champagne King
I Want To Thank You - Alicia Meyers
Just Us - Khanyo
Ding Dong - Joe Nina
Tsodiyo - Lebo Mathosa
Labantwana amaUber - Semi- Tee, Miano, Kammu Dee
Sukendleni - Jobe, London, Mphow69
Tsiki Tsiki - Mdu
A mix by Spinnie Ripperton exploring the modality of medicine…
Roberta Flack - Angelitos Negros
Nina Simone - My Sweet Lord + Today is a Killer
Amina Claudine Myers - African Blue
Esther Philips - And I Love Him )Live)
Bobbi Humphrey - New York Times
Jaco Pistorius - Portrait of Tracy
Pierre Dutour - Deer Forest
Rare Silk - Storm
Abiah - My Man’s Gone Now
Roy Budd - Afro Blue
Shuggie Otis - Sweet Thing
Axiom Funk - Pray My Soul with Eddie Hazel
Recoded with Kagiso Mnisi for I Know What You’re Thinking, Kaya FM.
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The debut album Matjale sees Thabang Tabane take his rightful place in an illustrious lineage. Releasing a long-overdue debut album, he’s a percussionist and deep musical obsessive who shows the indelible influence of his father’s music. The son of the now late Philip Tabane, his father is a legendary guitarist regarded as the architect of South Africa’s malombo style. Thabang is guided by a fiercely independent ethos, informed by the African spiritual perspective which became malombo music. Releasing it on newly-founded, independent South African label Mushroom Hour Half Hour, he works with labelmate Sibusile Xaba (who released 2017’s Unlearning / Open Letter to Adoniah) to pick up that musical baton: charting new, divergent directions for independent music made in a South African image.
Image by Lidudumalingani Mqombothi
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